From left to right: Greg, Nate, Joe, Justin, Jenny and the judge.
It's been a looooong time since I did a "Some... Stuff" post, but here goes. On Friday, my brother Joe and his wife, Jenny, officially adopted our nephew Justin (our sister Joscelyne's son... she passed away in 2012). It was a long, arduous process, but thank you Lord, it's done. Congratulations, guys!
Chanell, after receiving her diploma....
Well, at least some Indians are... a few weeks ago, I confessed up to thinking as a kid that Indians were Black. And a few of my Indian/Bangladeshi friends gave me e-props for it (what up?!). One of them, Wafi, passed on this HuffPo article by Rita Banerji from 2015 that goes into fascinating detail about how there is indeed a strong genetic link between Indians and Africa:
Growing up in India, I never met or heard about Indians with African lineages. Then in 2005 I watched a dance performance by the Sidi Goma, a group of musicians from the African Indian community, the Siddi, and I was astonished and mesmerised. Since then I've discovered that India's African roots are much older than the Siddis, and are not only evident in numerous other communities, but percolate through direct descent in the blood of at least 600 million Indians....
Lena Horne (Image Source)
Lena Horne- singer, actress, glamour queen of the 1940's- found herself blacklisted in Hollywood, labeled a Communist betrayer of democracy in the early 1950's. It was a particularly spectacular fall, and Horne was determined to not have her career tarnished by smears of Red.
First, some backstory on Horne from PBS' "American Masters: Lena Horne" page:
Born in Brooklyn in 1917, Lena Horne became one of the most popular African American performers of the 1940s and 1950s. At the age of sixteen she was hired as a dancer in the chorus of Harlem’s famous Cotton Club. There she was introduced to the growing community of jazz performers, including Billie Holiday, Cab Calloway, and Duke Ellington. She also met Harold Arlen, who would write her biggest hit, “Stormy Weather.” For the next five years she performed in New York nightclubs, on Broadway, and touring with the Charlie Barnet Orchestra. Singing with Barnet’s primarily white swing band, Horne was one of the first black women to successfully work on both sides of the color line.
(Image Source: Vice)
Last week in the Anton La Vey post, I mentioned how Sammy Davis Jr. became a member of The Church of Satan for a while. This struck me as... well, pretty weird. I could see why the publicity-loving Jayne Mansfield would sign up to be Team Lucifer, but Sammy "Member of Sinatra's Rat Pack" Davis Jr.? He was so... laid-back and... cool. And Jewish. He most definitely had converted to Judaism. So what the what? Let's go to Helen O' Hara at The Telegraph for more:
Sammy Davis Jr, the singer, actor and Rat Pack member whose own philosophy of life drove him to try just about everything that presented itself - women, men, religion, drugs - became involved in 1968. He had noticed a gang of lively young people each with a single red-painted nail at The Factory, a nightclub he co-owned, and was invited to go with them to a party he described as “dungeons, dragons and debauchery”....
Bespectacled Buddy. (Image Source)
Before his shocking death at only 22 in 1959, Buddy Holly managed to make major moves. A native of Lubbock, Texas, Holly began playing the guitar as a kid, and counted a number of Country Music singers as influences. As a teen he began listening to Rhythm & Blues over the radio late at night, and it wasn't long before he combined Country and R&B and began playing the hot new sound of the 1950s: Rock & Roll.
Amazingly, Holly's professional career really only took off when he signed with Decca Records in 1956, meaning he hit the top of the charts, toured the country (and even internationally), and packed theatres in 3 short years (along with his band The Crickets for part of that time).This post is going to focus on one particular set of performances in 1957, when Holly took Harlem. From The Delete Bin:
Rock ‘n’ roll is not a type of music. It was a social phenomenon that threaded together music of many American cultures by the 1950s, and continues to be that today on a global scale. To prove the point of the range of rock ‘n’ roll music of their era, Lubbock Texas band Buddy Holly and The Crickets performed at the Apollo Theatre in August of 1957. Expectations were certainly undercut in the days before the civil rights movement, when audiences and musicians of various races simply did not mix. But, thanks to their historic show at The Apollo, this rule was gloriously broken....